Saturday, December 31, 2022

2022's Film-Watching summary


2022 - Glass Onion
2022 - Prey
2022 - The Batman
2022 - Emergency
2021 - The French Dispatch
2021 - Dune
2021 - Drive My Car
2020 - Freaky
2018 - Shirkers
2017 - Anna and the Apocalypse
2015 - An Inspector Calls
1976 - Taxi Driver
1975 - The Mirror
1968 - Planet of the Apes
1963 - The Executioner
1961 - One, Two, Three
1958 - Terror in a Texas Town
1955 - Mr. Roberts
1954 - Black Widow
1950 - No Way Out
1948 - Miranda
1947 - The Ghost and Mrs. Muir
1941 - Citizen Kane
1941 - Man Hunt
1939 - Love Affair
1938 - Vivacious Lady
1938 - You Can't Take It With You
1936 - Mr. Deeds Goes To Town
1935 - Star of Midnight
1932 - Design For Living
1932 - Merrily We Go To Hell
1931 - Platinum Blonde
1931 - The Smiling Lieutenant

 Simon's vote for best films (in this lean year, because our subscription to the Criterion Channel expired and we watched far too much comfort TV (hello Perry Mason) in the latter half of the year): Drive My Car, The Executioner, One, Two, Three and Glass Onion have to be up there.  Worst film goes to The French Dispatch, which we couldn't even finish.  We couldn't finish RRR either, but we may yet, it's just LONG, albeit definitely not boring.  Oh, the The Mirror and Shirkers stick in my head, too.

Monday, December 26, 2022

Film review: Anna and the Apocalypse (2017)

 

This now crops up on various lists of best Christmas movie, and that, and the promise that it's a comedy, tricked me into having us watch this.  Bad mistake.  While it has a mostly charming cast of unknowns, and the songs are surprisingly catchy, it is (a) not funny and (b) actively anti-comedic.  Like Shaun of the Dead, the supposed apogee of the Zombie Horror-Comedy genre (actually, it's One Cut of the Dead) it will insist on doing that most unforgivable thing that most zombie movies feel the need to do (Zombieland is the rare exception) - have likeable characters die and become zombies.  And in fact, apart from the (rather anonymous) title character, all the likeable characters get killed in this, in completely unnecessary ways.  Also: I'm too old for the kind of earnest rock opera songs - I feel the need to look elsewhere when they're playing as it's positively embarrassing.  It's supposed to be a mashup of a bunch of genres, but, like most films that attempt this (other than, of course, the mighty American Werewolf in London) it manages to be a very poor version of any of them.  One positive: it's short, although it doesn't seem that way when you're watching it.  I think its mildly positive reputation can only be based on pity: it comes across as a student film (ominously, it is the only entry in the director's imdb page), and if that was all it was, it would be one of the best of its kind, I suppose.  Watch One Cut of the Dead instead - you won't be sorry.

Sunday, December 25, 2022

Film review: Glass Onion: A Knives Out Mystery (2022)

What a cumbersome title. Presumably they were worried that people might think this film was (horror of horrors!) a standalone film, not part of a franchise! And thus avoid it like the plague. But as the name reveals, it marks the return of Daniel Craig's Benoit Blanc, where James Bond tries out his incredibly over-the-top faux southern (New Orleans? that's the only way to make sense of the French name) accent and comedic stylings. And very entertaining they are, too. One gets the sense that he is a lot more comfortable with this (certainly he's evidently having more fun) than playing the secret agent. Having noted it's a franchise, and that, like the first one, it is an Agatha Christiesque murder mystery, it must be said that this one veers a good deal more comedic and less thriller-ish than the first. It also has a good deal of fun with very quick cameos, from Hugh Grant as Blanc's either manservant or lover, to Steven Sondheim (to whom, along with Angela Lansbury, the film is dedicated) and Kareem Abdul-Jabbar showing up on a Zoom call near the beginning of the film, when a very bored locked-down Blanc is seen confining himself to his bath and trying out the game Among Us (which he regards as "stupid" because he's very bad at it).  (The very best cameo is probably Serena Williams, though - so watch out for that.)  That game, which was all the rage for a brief window about a year ago(?) and the pandemic setting instantly locks this film in a moment in time.  It's interesting that the vast majority of entertainment has decided to act as if Covid never happened, probably for this reason.  This film also has its cake and eats it too, because it very quickly dispenses with all visible reminders of the film with the device of (a) an isolated island setting, and (b) a magic spray administered by some lackey of the Tech Bro main character (Ed Norton's suitably obnoxious Myles Bron) that supposedly protects all from the danger of catching Covid.  As with all Christie-type films, you can't really say too much without giving it away, but it's got a solid cast of eccentrics, from  Dave Bautista's mother's-boy wannabe Men's Rights social media star, through Kate Hudson's ditsy ex-model fashion designer, through a rather underused Kathryn Hahn as an up-and-coming is-she-more-Elizabeth-Warren-or-Kyrsten-Synema politician, and Leslie Odom Jr. as the real brains behind most of Myles' money-making ideas.  In the original Knives Out Blanc latched on to the young Hispanic maid played by Ana de Armas as his assistant, and continuing the theme of Doctor Who-esque companion, this time he is teamed up with Janelle Monae's mysterious character, and she is really the star of the picture (and just saying that gives away a minor twist in the middle of the film).  Anyway, lots of pointed (thinly veiled) jabs at people like Elon Musk or right wing YouTubers, and several laugh-out-loud moments - very satisfying.  I think if they keep making these, Daniel Craig will be more remembered as Blanc than as Bond, and that will be entirely as it should be.  (Sidenote: this was new to Netflix on the 23rd, but it turned out that Thomas watched it, as we did, last night.  At last we have persuaded him to watch the same movies we watch - all it took was 1331 miles between us.)

Saturday, December 24, 2022

Urban exploring

Driving right now would be foolhardy, so it's another walk from-and-to our own doorstep today. I have a feeling that only Thomas could work out our route from the photos.

Friday, December 23, 2022

Thursday, December 22, 2022

Monday, December 12, 2022

Sunday, December 11, 2022