This would make a fine triple-bill of sillier Sim performances with
The Happiest Days of Your Life and
The Green Man. While it's probably the weakest of the three, and Sim is a little miscast, it's still very solid entertainment, with a well-constructed plot, stylish direction and great performances.
The basic plot is very simple: infamous practical joker (we see him on his deathbed setting his nurse's newspaper on fire before the lighter falls from his lifeless fingers) Henry Russell divides his fortune in four pieces of £50,000 each (in 1951 money!) to four relatives, conditional on them (a) not contesting the will, and (b) performing certain tasks that each of them (with one exception) will find uniquely unpleasant. Sim plays mild-mannered ex-Colonel Deniston Russell, who is engaged to the always-reliable Joyce Grenfell (who is still in the armed forces, and whose father is a judge who disapproves of Deniston), but hides a secret that he is a best-selling author of numerous pot-boilers under various pseudonyms. His adoring secretary (played by Eleanor Summerfield,
who is very winning but doesn't seem to have done much of note other than this film (and
its panned re-make)) thinks they're (and he is) wonderful, but he is ashamed enough that he won't reveal his secret to his fiancee, and on hearing of his cousin's death, believes that now he will have the money to devote his life to
serious writing. This snobbery and fear of what people will think is targeted in the will, where his task is to get arrested and serve no fewer than 28 days in prison. (This will mean postponing the wedding
again, when the engagement has already been going on for ten years, and to make matters worse, he is forbidden from talking about the will until the task is complete.)
The next biggest part, and the most unexpectedly moving performance, is Henry's sister Agnes, played by Fay Compton. She is a bitter spinster (we find out why later) who is cruel to her one young maid,
so of course her task is to become a maid for a "middle class" family and not get fired for 28 days. The family that hires her consists of a lovely young woman and her hypochondriac Scrooge-like father, played by the wonderful John Laurie, in whom Agnes certainly meets her match. On the first night she is cooking him steak for dinner, and while he calls her up the stairs for the umpteenth time, the family dog scarfs the food, causing John Laurie to fire her. She begs him not to and even offers $1,000 if he doesn't, which both alarms him and piques his interest enough so that he hires a detective to follow her around. What he doesn't plan on is the handsome young detective and his daughter falling in love.
Next we have George Cole as Herbert,
who on this performance seems to have been the model for Michael Crawford's
Some Mothers Do 'Ave 'em role, as he, a humble bank clerk, is severely lacking in, as his cousin says, "push." His task is to burst into his manager's office with a mask and a toy gun and hold him up. As he is completely petrified of said manager, who regards him as an utter fool, this requires some girding of loins. (Deniston offers him one of his books about a bank job to give him pointers.)
Finally, there is the Terry-Thomas-like (alas, not the actual Terry-Thomas, but Guy Middleton) utter cad, predictably named Simon. His task is to marry the very first woman he meets, as he is a perpetually broke playboy who never maintains relationships. He thinks he's got the best task of the lot, and has no compunction at breaking the rules (the first person he talks to is a cigarette girl whom he has no intention of marrying, played by Audrey Hepburn, in presumably her first role),
waiting to find a woman who looks wealthy enough to make it worthwhile. He runs into one such while on the way to spend some time on his boat, because news of his good fortune has leaked out and he is being besieged by gold-diggers. She has broken down on the way to visit her brother at Eton, and trying to avoid the man her rich uncle wants to set her up with.
We cut between the various stories, and there are twists and turns each one of which you will be able to see coming,
but none-the-less, you are carried along very pleasantly, especially by Deniston's story. Everyone learns a lesson, and just about everyone is better off for it. And Fay Compton is a revelation in a role that could very easily have been trite or maudlin in the hands of a lessor actor.